Were you always a little lost within the big-concept narratives of the Who's rock operas? Scared to admit that you really had no idea what Pete Townshend was getting at with 'Tommy' or 'Quadrophenia,' iconic though they may be? You're not alone: Who frontman Roger Daltrey, in fact, admits to some initial confusion, as well.
Less than half a year after hinting at their imminent retirement from the road, the Who are getting back together sometime this year to record a new album.
We've all been disappointed by a late-period record by one of our favorite bands, and to one extent or another, we've all engaged in an endless debate over whether it's better to burn out or fade away. For Buzz Osborne of the Melvins, the answer is neither; creativity takes effort, and he expects great artists to keep trying.
Following an incendiary performance at The Forum in Montreal on Dec. 2, 1973, the Who attended an after-show party put on by executives from RCA. Would you be surprised if we told you that legal trouble and property damage ensued?
One of the most experimental hard rock groups of the '60s and '70s, the Who were rapidly evolving musically when they released 'The Who Sell Out' on Dec. 1, 1967.
It's long been trapped in development limbo, but it looks like a movie about the wild life and times of Who drummer Keith Moon might finally be heading for theaters -- with support and creative input from one of Moon's former bandmates, no less.
As everyone was trying to one-up each other in the later part of the '60s -- hoping to keep up with 'Sgt. Pepper's Lonely Hearts Club Band' and what it spawned -- Pete Townshend looked forward by looking back. While his contemporaries had psychedelic visions spiraling within their heads, the main songwriter and guitarist for the Who had something else in mind for his band.