Based on how this weekend’s box office numbers shaped up, odds are good that you either saw Wonder Woman this weekend or you avoided the theater altogether. It was a record-setting few days for everyone’s favorite warrior princess — sorry, Xena — but things were decidedly less rosy if your movie was… well, literally anything else. Here are the box office estimates as of Sunday afternoon:
Despite its prime location in the heart of New York City, the Tribeca Film Festival has always been regarded more as a regional film festival than a destination for big world premieres. That being said, Tribeca does have one thing that other festivals lack: unfettered access to Robert De Niro, the festival’s co-founder and cinematic advocate for all things New York. This has made Tribeca a prime destination for anniversary screenings of some of the actor’s biggest films; in 2015, for example, Tribeca hosted a 25th anniversary celebration of Goodfellas with the cast and crew in attendance. And this year, De Niro has topped himself, bringing together the men and women behind The Godfather for a frank discussion about the film.
In a week devoid of any major releases, we still saw some major changes at the box office, with familiar faces like Kong: Skull Island, Power Rangers, and Get Out (RIP) all falling from the Top 10 in favor of new releases or aggressively expanding art films. Of course, not everything was different; if you read these box office reports every weekend, I’ll bet you can name the top three movies (in order) with minimal effort. Here’s the weekend box office projections as of Sunday afternoon:
Cinephiles have film festivals, and audiophiles have music festivals, and never the twain shall meet. At least that was the case until Hans Zimmer took the Coachella Music Festival by storm twice in the last month. Just about a week ago, we shared the first video released by Coachella, a live performance of Zimmer’s soundtrack from Interstellar. And now the festival has followed up with a second performance, this time of Zimmer’s score for The Dark Knight (via Heroic Hollywood). If you’ve ever wanted to watch one of your favorite film composers shred like a rock star, well, here’s your chance (at least until John Williams decides to shock us all with his Mad Max: Fury Road-esque guitar gimp suit).
When Martin Scorsese and Robert De Niro aren’t busy trying to figure out ways to digitally de-age the latter in Netflix movies about professional hitmen, they do field offers from other studios. That seems to be the case now with Imperative Entertainment, the production house that recently snapped up the rights for David Grann’s non-fiction novel Killers Of The Flower Moon: The Osage Murders And The Birth Of The FBI. After spending a whopping $5 million dollars for the rights, Imperative immediately pivoted into convincing the two Hollywood stars — and their frequent collaborator Leonard DiCaprio — to accept the project on their behalf.
Despite being supported by a blindingly charismatic cast and some of the best action directors in the business, Paramount’s Star Trek franchise has somewhat been an exercise in diminishing returns after 2009’s big screen reboot. Last year’s Star Trek Beyond may have captured some of the fun of a standalone episode of the series, but it was a surprising disappointment with audiences: the film’s $158 million gross was nearly $100 million less than the first entry in the series and failed to break even on the studios $185 million investment. Those are the kind of numbers that make a studio think long and hard about investing in a sequel.
It looks like 20th Century Fox is in a release date kinda mood. After James Cameron used his film’s Facebook page this morning to share the premieres of his next four Avatar sequels, Fox has also announced the release dates for its upcoming slate of Marvel movies, including Deadpool 2, New Mutants, and the next film in their X-Men franchise, X-Men: Dark Phoenix. For the five Gambit fans in the house who thought this might finally be their moment, well, sorry guys, that one’s still in development hell.
Audiences don’t turn their back on family. That’s the lesson to be learned from this past weekend, anyways, when The Fate of the Furious proved that this is one franchise showing no signs of slowing down. It was never a question of whether The Fate of the Furious would take the top spot this weekend, but even the most optimistic of projections couldn’t have expected the global domination that this movie undertook. Here’s the box office estimates as of Sunday afternoon:
Welcome to the calm before the storm. With a handful of blockbuster movies already released, and more on the way, the second weekend in April was a relatively quiet affair, with a few old favorites dominating the weekend yet again and a few new releases grabbing whatever box office they could before things get fast and furious at your local multiplex. Let’s take a look at the projected grosses through Sunday afternoon.
It might be a tale as old as time, but audiences have proven there’s still a few petals left on that old flower. Despite being projected to open at somewhere between $214–245 million worldwide, Beauty and the Beast knocked the pants off those projections, eclipsing $350 million at the international box office and setting a March record for domestic releases along the way. Let’s take a look at how things shook out this past weekend with some of the expected grosses.
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